Monday, 4 March 2019

BBC & ITV New Streaming Service, Britbox

Please update your textbooks with this new TV Drama development:
https://www.radiotimes.com/news/2019-03-02/britbox-bbc-itv-streaming-service-launch-date-cost-programmes/

Everything you need to know about BritBox – BBC and ITV’s answer to Netflix in the UK

What will it show? When does it launch? How much will it cost? Will it effect BBC iPlayer? And why should licence fee payers fork out again anyway?

The platform promises the biggest collection of British TV content ever assembled in one place, as well as new commissions specifically tailored for the service.
So far Channel 4 is not part of the enterprise, although it was understood to have been involved in the early stages of talks.
Here’s everything you need to know…

What is BritBox? 

Launching as a joint venture between ITV and the BBC, the UK-based pay streaming service will provide access to archive British TV shows and will commission new programmes. BritBox already exists in the US and is said to have exceeded expectations there, currently boasting over half a million subscribers.
According to ITV CEO Carolyn McCall, “BritBox will be the home for the best of British creativity – celebrating the best of the past, the best of today and investing in new British originated content in the future.”
BBC Director General Tony Hall, meanwhile, describes it as: “a new streaming service delivering the best home-grown content to the public who love it best. The service will have everything from old favourites to recent shows and brand new commissions.”

When does BritBox launch?

At this stage, there’s no definitive launch date for the service but the BBC and ITV say it will be available at some point in the second half of 2019.

How much will BritBox cost? How can I get it?

Customers will have to pay for BritBox but neither the BBC nor ITV have given details of pricing, beyond promising that it will be “competitive”. Some reports suggest it will cost around £5 a month but this has not been confirmed.
If you are interested in the service up you can visit the BritBox website and sign up to get the latest news and updates in the run up to it going live.

What will BritBox show? Will it affect current services like BBC iPlayer?

BritBox will feature an archive of British shows plus new commissions made for the service – a mixture of genres in all likelihood. The BBC and ITV say it will not affect the way their catch-up services BBC iPlayer and the ITV Hub operate as BritBox will not have access to the current or recently aired shows the existing services carry. New shows are likely to move on to BritBox only after they have been made available on catch-up first.
The decision does mean that British broadcasters are likely to stop licensing their archive material to other streaming services such as Netflix in an attempt to drive subscribers to the new UK service. However, the full details will be confirmed when both ITV and the BBC finalise their formal legal agreement.

I already pay the BBC a licence fee, why should I pay again?

BritBox will not take any money from the licence fee to pay for its set up or to make its new programmes, and by making older archive shows available it is providing a new service to anything that exists. However, there may be questions ahead about the implications of BritBox and the BBC potentially vying for new show ideas, the same production talent and so on.

How much money are the BBC and ITV putting in to BlinkBox?

ITV has pledged to invest up to £65m in the joint venture over the next two years. The BBC has not commented on how much money it is ploughing in.

Why is this happening now?

All UK broadcasters are very nervous about the market power of Amazon and Netflix. There is also growing demand in the UK for such streaming services, with more than 12 million households signed up to at least one. Meanwhile, research commissioned by ITV shows that desire for UK-produced content is high, with 43% of all online homes interested in subscribing to a new service which features British shows. This increases to over 50% in homes that already have a Netflix subscription.

Haven’t we been here before?

Yes. BritBox is highly reminiscent of a scheme devised more than a decade ago called Project Kangaroo. Like the new plan, Kangaroo was a proposed video-on-demand service from the BBC, ITV and Channel 4 but was strangled at birth in 2007. After two years of wrangling, the Competition Commission ruled that the project was too much of a threat to the UK VOD market and it was scuppered. So what’s changed?
In recent months, there have been positive soundings from the regulators and broadcasting watchdog Ofcom that they would now be amenable to the new service, no doubt at least partly due to the proliferation of streaming services since the idea was last mooted. And while formal approval will be required from the Competition Commission and Ofcom, this is unlikely to be a problem.

What are the challenges for BritBox?

There are many, and experts are divided over the likely success of the new service. BritBox will be facing established competitors Netflix, which launched in the UK in 2012, and Amazon which rebranded its video service LoveFilm as Amazon Prime Video in 2014.
Netflix signed up 125 million subscribers globally over seven years – can BritBox hope to emulate that scaleNo one UK player is powerful enough on its own which is why public service broadcasters in Britain need to put aside their differences and work in unison. The absence of Channel 4 and Sky in this deal could be an issue. And that’s even before we ask whether cash-strapped British consumers, who are already spending elsewhere, are prepared to fork out for yet another TV streaming subscription…

Will Channel 4 or any other broadcasters join BritBox?

Channel 4 and US studio NBC Universal were involved in the earlier stages of talks about the service. It is not yet clear whether Channel 4 will join BritBox service because the broadcaster faces trickier challenges over rights issues when it comes to streaming content.
Channel 4 is a publisher-broadcaster and the rights to its shows are controlled by its many suppliers, the leading independent producers whose dynamism is due in large measure to the fact that they can strike such lucrative deals and retain control over their intellectual property. The BBC, however, makes much of its content via BBC Studios, as does ITV with ITV Studios.
Channel 4 was also believed to be anxious about playing the role of junior partner in the new service.

The BBC and ITV will provide a further update about BritBox when a formal agreement is reached.

BBC Radio 1 Viewing Figures

Dear All

Please make a note in your textbook:
https://www.bbc.co.uk/mediacentre/latestnews/2019/rajar-2018-q4



The Radio 1 Breakfast Show with Greg James has increased listeners by more than 300,000 in his first full quarter.
Latest Rajar data shows since Greg James started on the Radio 1 Breakfast Show, there has been an increase of listeners aged 10+ to 5.59m (Monday-Thursday), from 5.28m last quarter.
The same period (17 September-16 December 2018) has also seen a record for digital listening, with the proportion of digital listening now at 52.6%, and podcast listening also reaching a record high with 6.2 million listening to at least one podcast each week and 3 million 15-34 year olds.
Bob Shennan, Director of BBC Radio and Music, says: “It’s brilliant that our new and fresh Radio 1 Breakfast Show is doing so well, on air as well as digitally on BBC Sounds, social media and YouTube. Greg James is a superb DJ and we know his listeners love the show. We can see that a busy few months for listeners in the run up to Christmas has impacted on all radio listening in the UK, but despite that our radio breakfast shows demonstrate what an important role live radio still plays in people’s daily lives with millions waking up to BBC radio, whether it’s for brilliant music, great guests or comprehensive news coverage.
“Nearly 9 in 10 people continue to listen to radio in the UK but as we know listening habits are changing. We’ve made great strides in reinventing our overall audio offer so that audiences now and in the future can discover the very best of the BBC, whenever they want to. This is paying off and increasing numbers of people are listening to music, radio and podcasts on BBC Sounds with recent record figures.” All BBC radio’s weekly reach over the period (Q4, 17 September-16 December 2018) was 33.9 million (34.3m last quarter and 35.01m last year) and a share of 50.9% (51.7% last quarter and 52.8% last year).
BBC Radio 1 posted a reach of 10.19 million listeners aged 10+ (from 10.56m last quarter and 10.72m last year). There were 9.37 million 15+ listeners (from 9.6m last quarter and 9.8m last year) while the network’s share of listening was 5.7% (from 6% last quarter and 5.9% last year). The Radio 1 Breakfast Show now attracts 5.59m listeners 10+ (Monday-Thursday), up from 5.28m last quarter. This quarter saw 5.11million 15+ listeners (Monday-Thursday), compared to 4.88m last quarter and 5.32m last year.

Sunday, 24 February 2019

How to present your NEA (Coursework) Part 1: Setting out your Blog

Dear Students

You need to set out your blog clearly and logically. Use this guide to help:

Make sure your posts are in this order, so that when we load up your blog, Post 1 is the first post we see, etc.

Post 1: Note to the Moderator (see separate post)
Post 2: Music Video
Post 3: Website
Post 4: Website planning
Post 5: Website research
Further posts:
• storyboard 
• location report(s) 
• notes on casting and mise-en-scène considerations 
• mock-up of my webpage 
• rough cuts/drafts 
• audience research and feedback


To help navigate your blog, please add the following labels to your posts and display the labels clearly in your navigation bar:
* Website research
* Website Planning
* Music Video Research
* Music Video Planning
* Audience Research
* Audience Feedback
Make sure you have at least 2 posts for each label.

How to present your NEA (Coursework) Part 2: Note to the Moderator

Dear Students

In the post below, see how to present your coursework - order in which your posts should appear on your blog, plus what to include:

Post 1 (the first post we see when we go to your blog, so the latest post):

Welcome note to the Moderator, reading something like this: 

Dear Moderator, My name is *Paul Bloggs* Candidate No. *XXXX*, and welcome to my A Level Media Studies blog. This is a record of the work I have undertaken for the Making Media (Component 03/04) non-examined assessment (NEA) within the OCR H409 GCE A Level course in Media Studies. 

I worked independently  on Brief 4: music video and online to produce a three-minute music video for a fictional dance band/artist signed to Universal Music, and the working website for the band/artist. My production is aimed at a culturally sophisticated, 16–25 class AB demographic.

Below you will find evidence of my research and planning for this task, including:

* my research into professionally produced music videos and artist websites that are similar in genre, style and form to those proposed in my chosen production brief. This includes:
              * My deconstruction, analysis and notes on these professionally produced music videos and artist websites that has developed my knowledge and understanding  of my chosen media form’s distinctive media language.
   This includes for example: 
• how genre conventions are employed 
• how and why intertextuality is employed 
• how combinations of media language elements such as camerawork, editing, soundtrack and mise en are mise en scène are used to create meaning and construct representations that address an intended audience. 

I have also analysed professional artist websites as part of my cross-media brief in terms of: 
• layout 
• navigation 
• use of language 
• use of images/text/audio/video.

PLANNING
In terms of planning, you will find below:
• storyboard 
• location report(s) 
• notes on casting and mise-en-scène considerations 
• mock-up of my webpage 
• rough cuts/drafts 
• audience research and feedback.

STATEMENT OF INTENT
You will also find below the Statement of Intent I have completed for my cross-media production My Statement of Intent outlines the ways in I proposed to link my media products to demonstrate my knowledge and understanding of the digitally convergent nature of my production. I also outline the ways in which I proposed to use the four areas of the media theoretical framework to communicate meaning and meet the requirements of the brief.

I hope you enjoy my work and find it both successful and interesting. Please use the navigation bar to access my work as organised into labels. There is also a link to the School's blog hub and my other classmates' blogs.

Another Mrs Williams Video

Another holiday music video inspired by the Year 13's work this year.


Wednesday, 13 February 2019

Warner Bros Harry Potter Trip

Great fun was had on our annual trip to Warner Bros Studios. Some exciting new additions this year - we could actually talk to some of the prop-makers, graphic designers and storyboard artists, mint a coin ready for the new Gringotts opening next month, and, of course, drink butterbeer in the cafe.


Sunday, 10 February 2019

Music Video Madness

It's a while since I posted an original video, but, inspired by all the amazing work Year 13 have been doing on videos this week, I've made a remix to Mako's song 'Our Story' combining a whole load of others to show seven years of holidays at Landmark Trust properties with friends of ours. Seven years in under four minutes... Or in other words, it's taken me seven years to make this video...